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::ALiEN BASS GUITARIST::

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Bassist Bill Clements
from Kalamazoo, Michigan is 'The One Handed Alien Bass Guitarist..

Bill Clements, began playing at the age of 13, inspired by Geddy Lee, Chris Squire, and other prog-rock bass giants. Bill lost his right hand and forearm, December 1989 in an industrial accident. This catastrophic event would seemingly have ended his promising career as a musician. Yet within three months time, Bill was gigging again, and he hasn't stopped since.

Clements has long received regional acclaim for his prolific style of bass playing, and has been favorably compared to such bass legends as Rocco Prestia and Jaco Pastorius.. for more on this story go to The Music Group of greater Kalamazoo 

Bill Clements also plays his electric bass in The Light Fusion Trio with Matt Lund on electric guitar and pedal steel guitar and Marc Churchill on drums. The Trio brings an entertaining and interesting sound by combining many great songs with their own style of playing and arranging. The Trio’s material consists of recognizable jazz standards from as early as the 1950’s (Miles Davis, John Coltrane, Dave Brubeck), notable fusion hits of the 1970’s (Weather Report, Return to Forever, Pat Metheny, Earth, Wind & Fire), jazz arrangements of popular artists (Elvis Costello, Kate Bush, Al Stewart), as well as their own original compositions.. for more on this story go to The Music Group of greater Kalamazoo 

In June 2005 Bill released his debut CD..  Undergroundalienbass.. which collects recordings he’s made with several acts since the early ’90s. Many of the tracks are improvised, frenetic, and with a unique sense of high-energy mania, and all are underpinned by his expressive, often agitated, and technically curious bass lines. Bill had to reinvent his whole style whose playing is in part characterized by the insistent, pulsating bass riffs you might expect from a highly refined left-hand tapping technique, and yet goes places technically and musically that would be daring for most bassists. On the disc’s first two tracks, a pair of atonal, improvised instrumentals recorded with the drummer Jim Nelson and guitarist Ron K., Bill’s aggressive left-hand riffage beats out snarly-toned chugs beneath crisp, energetic drumming and Primus-like guitars. Bill’s composition “Photo 51,” adds horns to the art-rock mélange, with Bill at times anticipating and reflecting their tuneful mid-tempo motifs, then playing in and around them with contrasting 16th-note fretless runs that recall Jaco Pastorius’s Rocco Prestia influence. “Every now and then I’ll smack it with the hook,” says Bill, who also uses the metallic apparatus on occasion as a bow or to stimulate the pickups on his Warmoth Jazz Bass.. ..for more on this story go to The Music Group of greater Kalamazoo 

Bill has been proudly supported by many including Muzz.. JauqoIII-X.. Brian Bromberg.. Victor Wooten.. www.lowdownsound...  Eden.. www.rocketboom.com & the online bass community...  for more on this story go to warmouth.com  

 
NOTE:
The bandanna tied around the neck of the guitar in the video is to stop notes ringing on.

merv.com.au

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