::BiLL CLEMENTS::info:: Bassist Bill Clements
from Kalamazoo, Michigan is 'The
One Handed Alien Bass Guitarist..
Bill Clements, began playing at the age of
13,
inspired by Geddy Lee, Chris Squire, and other prog-rock bass giants.
Bill lost his right hand and forearm, December 1989 in an industrial
accident. This catastrophic event would seemingly have ended his
promising career as a musician. Yet within three months time, Bill was
gigging again, and he hasn't stopped since.
Clements has long received regional
acclaim
for his prolific style of bass playing, and has been favorably compared
to such bass legends as Rocco Prestia and Jaco Pastorius.. for more on this story go toThe Music Group of
greater Kalamazoo
Bill Clements
also plays his electric bass in The
Light Fusion Trio with Matt
Lund
on electric guitar and pedal steel guitar and Marc
Churchill on drums. The Trio brings an entertaining and
interesting sound by combining many great songs with their own style of
playing and arranging. The Trio’s material consists of recognizable
jazz standards from as early as the 1950’s (Miles Davis, John Coltrane,
Dave Brubeck), notable fusion hits of the 1970’s (Weather Report,
Return to Forever, Pat Metheny, Earth, Wind & Fire), jazz
arrangements of popular artists (Elvis Costello, Kate Bush, Al
Stewart), as well as their own original compositions.. for more on this story go toThe Music Group of
greater Kalamazoo
In June
2005
Bill released his debut CD.. Undergroundalienbass..
which collects recordings he’s made with several acts since the early
’90s. Many of the tracks are improvised, frenetic, and with a unique
sense of high-energy mania, and all are underpinned by his expressive,
often agitated, and technically curious bass lines. Bill had to reinvent his whole style whose playing is in
part characterized by the insistent, pulsating bass riffs you might
expect from a highly refined left-hand tapping technique, and yet goes
places technically and musically that would be daring for most
bassists. On the disc’s first two tracks, a pair of atonal, improvised
instrumentals recorded with the drummer Jim Nelson and guitarist Ron
K., Bill’s aggressive left-hand riffage beats out snarly-toned chugs
beneath crisp, energetic drumming and Primus-like guitars. Bill’s
composition “Photo 51,” adds horns to the art-rock mélange, with
Bill at times anticipating and reflecting their tuneful mid-tempo
motifs, then playing in and around them with contrasting 16th-note
fretless runs that recall Jaco Pastorius’s Rocco Prestia influence.
“Every now and then I’ll smack it with the hook,” says Bill, who also
uses the metallic apparatus on occasion as a bow or to stimulate the
pickups on his Warmoth Jazz Bass.. ..for more on this story go toThe
Music Group of greater Kalamazoo
Bill has
been
proudly supported by many including Muzz.. JauqoIII-X.. Brian Bromberg.. Victor
Wooten.. www.lowdownsound... Eden.. www.rocketboom.com &
the online bass community... for more on this story go towarmouth.com
NOTE:
The bandanna
tied around the neck of the
guitar in the video is to stop notes ringing on.